Monday, Jun. 09, 1952

Flowing Fountain

Spanish-born Joan Junyer (pronounced Zho-ahn Zhoon-yea) is an artist with a fresh eye who feels confined by frames and flat surfaces. For ten years he has tried to get a sense of volume into his paintings by rejecting the conventional canvas for molded shapes of wood and plaster. His paintings (TIME, July 9) sweep around curves, roll wavelike along walls. Last week Artist Junyer's latest assault on convention was on display at Manhattan's Museum of Modern Art.

It was a brightly colored drinking fountain that looked vaguely like some giant metallic orchid--8 ft. high, with flowing petals and a stippled yellow, blue and white enamel finish. There was a high spout for adults, and a lower one for children. Decorating the fountain were abstract figures with long, storklike arms and legs. Junyer worked out his idea last year on a trip to Sweden, when it suddenly struck him how "stylized and ugly" drinking fountains had become. With the help of Swedish Architect Hans Asplund, he assembled four old bathtubs, then worked six weeks to cut, weld and enamel them into his nonstylized fountain. Explained Junyer: "Water is such a nice thing, it should be treated nicely."

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